Amero Currency Design
2011
Project for Ohio University Graphic Design, 2011
- Amero Currency Design
redesign of paper currency for Canada, U.S, and Mexico - The North American Currency Union is a concept currently in the works to develop a currency that would be used between Canada, The United States, and Mexico. It is similar to the European Union (or euro) between European countries today. As this concept continues to develop, I believe it will gain support, and one day, become a reality. I wanted to give the amero a real design.I chose to depict the top six most endangered species of North America on my bills. This is an attempt to call users to conserve resources. The human desire to consume is truly alarming. The spending habits of American countries have put their people and their environment at risk. The endangered state of these and other animals exists as a testament to our culture of incredible over consumption. The bills feature grid structures designed to aid in the prevention of counterfeit bills. These grids were developed using methods of reduction and deconstruction that result in highly graphic realizations.

- Research in dynamic grid development provided the design of the notes with a unique, highly graphic quality.
The grids began by repeating a single shape over a square space. This was then put through a process of deconstruction with the intent to systematically diminish the grid. I layered the grid on top of itself in various orientations and sizes, subtracting and adding. 
- I found that using an asymmetrical shape created interesting gradients in deconstructed form. These grids become highly dynamic, fluid, and emotive.
Various color combinations were then applied to create the foundation of each note design 



- The size differences of each bill aid the user in immediate recognition of denomination. This is aimed to help any user, but more specifically, the visually impaired. The average lifespan of a paper bill only about two years. The production of these bills uses environmentally friendly papers that can be re-used. Also in use are highly counterfeit-proof, but environmentally safe inks.






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A comprehensive brand identity for a hypothetical coffee company, Studio. Studio is coffee for the creative.Branding, Graphic Design, Packaging2012 -
A fold-out poster highlighting Erik Spiekermann's typeface Officina. This booklet is part of a larger typeface study by the 2011 junior typography class at Ohio University. Each individual study fits into one hand-made package to fit in any designer's bookshelf.
The project was a winner in the student category at the Columbus Society of Creative Arts' 2011 Creative Best competition.Packaging, Print Design, Typography2012 -
Cycling bag logo design from glyph combination study.Branding, Graphic Design2012 -
Anual Report designed around an excerpt from Malcolm Gladwell's "The Tipping Point: How Little Things Can Make a Big Difference"Editorial Design, Print Design, Typography2012 -
A zine style publication based on Malcolm Gladwell's "The Tipping Point: How Little Things Can Make a Big DifferenceEditorial Design, Print Design, Typography2012 -
A one day study of free form letter compositions executed with analog techniques including letterpress and cut and paste methods.Graphic Design, Fine Arts, Typography2012 -
packaging design inspired by the life and work of Kurt SchwittersGraphic Design, Packaging, Print Design2012 -
Various art printsFine Arts, Print Design, Typography2012
All works © Nick D'Amico 2011.
Please do not reproduce without the expressed written consent of Nick D'Amico.
Please do not reproduce without the expressed written consent of Nick D'Amico.
